Genesis announce rescheduled London shows and European dates
Their final rescheduled London tour dates will now take place in March 2022.
Last updated 26th Oct 2021
Genesis have announced the rescheduled dates for three of the shows which were cancelled on their Last Domino? UK Tour following positive Covid-19 tests within the band earlier this month.
Phil Collins, Mike Rutherford and Tony Banks, accompanied by Phil Collins' son Nic on drums, had been touring across the UK when their much-anticipated reunion came to a halt on 8th October 2021.
Genesis had to postpone their concerts at The SSE Hydro in Glasgow the night of the announcement and subsequently London’s The O2 (11th, 12th & 13th October) due to positive Covid-19 tests within the band, saying in a statement that they were "devastated" by the "hugely frustrating development".
It's still unknown which members of the band tested positive, with no further statements forthcoming from either Genesis or Collins, Rutherford and Banks. It's the third time that dates on the The Last Domino? tour have had to be rescheduled due to the ongoing pandemic.
The new dates see Genesis put on a three-night residency at London’s The O2 Arena, now taking place on Thursday 24th to Saturday 26th March 2022.
Watch Planet Rock's Mark Jeeves talking to Phil Collins, Tony Banks and Mike Rutherford prior to their tour kicking off:
The band have also stated that "More information on the postponed Glasgow show will be released here in due course."
Dates they were due to play in Dublin and Belfast also remain postponed, due to Covid restrictions, with no word as yet on their rescheduled status.
The critically acclaimed Last Domino? tour has already seen Genesis perform in Birmingham, Manchester, Leeds, Newcastle and Liverpool. The band are due to commence the North American leg in Chicago on 15th November.
Existing tickets for the rescheduled UK dates will remain valid and ticket holders will be contacted by their ticket agent.
Buy tickets for the London dates now from Planet Rock Tickets
Genesis' March 2022 UK tour dates:
Thursday 24 - O2 Arena, London
Friday 25 - O2 Arena, London
Saturday 26 - O2 Arena, London
Get tickets here
The rescheduled London dates also come alongside a whole raft of additional European dates across Germany, France and Netherlands in March 2022.
Tickets for the European dates go on-sale from Genesis' website at 9am on Friday 29 October.
Genesis' March 2022 European tour dates:
Monday 7 - Mercedes-Benz Arena, Berlin, Germany
Tuesday 8 - Mercedes-Benz Arena, Berlin, Germany
Thursday 10 - ZAG Arena, Hannover, Germany
Friday 11 - ZAG Arena, Hannover, Germany
Sunday 13 - LANXESS Arena, Cologne, Germany
Monday 14 - LANXESS Arena, Cologne, Germany
Wednesday 16 - La Défense Arena, Paris, France
Thursday 17 - La Défense Arena, Paris, France
Monday 21 - Ziggo Dome, Amsterdam, Netherlands
18 album covers that look like other album covers, including Phil Collins' ‘… But Seriously’:
Scott Weiland – ‘12 Bar Blues’ (1998)
The late-great Stone Temple Pilots singer's debut solo album features a blue-tinged image of Scott on the cover.
John Coltrane – ‘Blue Train’ (1958)
From the image to the font, Scott Weiland's '12 Bar Blues' is a homage to jazz legend John Coltrane's landmark 'Blue Train' album from 40 years earlier.
Anthrax – ‘Kings Among Scotland’ (2018)
The thrash metallers' 2018 live album 'Kings Among Scotland', which captures their 2017 show at Glasgow's Barrowland Ballroom, came with this visually striking animated sleeve.
Kiss - ‘Rock and Roll Over’ (1976)
The Anthrax sleeve is an overt parody of the aesthetically vibrant animated cover to Kiss's fifth studio album 'Rock and Roll Over'.
The Clash - ‘London Calling’ (1979)
The seminal cover to The Clash's 'London Calling' features a black-and-white image of bassist Paul Simonon smashing his Fender Precision Bass at the Palladium in New York City. It was created by designer Ray Lowry.
Elvis Presley - ‘Elvis Presley’ (1956)
With its pink and green lettering and black-and-white photo, 'London Calling' pays direct homage to Elvis Presley's self-titled debut album from 23 years earlier.
Iron Maiden - ‘Powerslave’ (1984)
The heavy metal legends' long-term artist Derek Riggs designed the Ancient Egyptian themed cover to their fifth album 'Powerslave.' Truly one of the best sleeves in metal history.
Earth, Wind & Fire - ‘All n’ All’ (1977)
Visually, Iron Maiden's 'Powerslave' is extremely similar to Earth, Wind & Fire's album 'All n' All' from seven years earlier. Maiden artist Derek Riggs has dismissed the idea he copied the funk band, saying: "Somebody somewhere said it was inspired by an Earth Wind & Fire cover, but that's just crap. Because of the song Bruce wrote it had to be Egyptian, so I went back to the tomb of Rameses 2 and copied the idea from that (just like Earth, Wind & Fire did) but mine is better. It's also got a hieroglyph Micky mouse in the bottom left corner. Ha! Earth Wind and Fire don't have a Mickey Mouse. Obviously inferior." Well said, Derek!
Mötley Crüe – ‘Too Fast for Love’ (1981)
The artwork to Mötley Crüe's debut album features a close-up of a rock star's crotch area.
The Rolling Stones - ‘Sticky Fingers’ (1971)
Mötley Crüe's 'Too Fast for Love' is, of course, a tribute to The Rolling Stones' infamous 'Sticky Fingers artwork from a decade earlier. Created by legendary artist Andy Warhol, the visible outline of the model's manhood caused quite a stir upon the album's release 49 years ago.
Deep Purple – ‘Deep Purple’ (1969)
The dark and macabre cover artwork to 1969's self-titled 'Deep Purple' is adorned with the right-hand painting from Hieronymus Bosch's 15th Century triptych, The Garden of Earthly Delights. It depicts the horrors of hell.
Pearls Before Swine - ‘One Nation Underground’ (1967)
Deep Purple weren't the first band to use The Garden of Earthly Delights on their album sleeve – Floridian psychedelic folk act Pearls Before Swine used a slightly different part of the painting for their 1967 debut album 'One Nation Underground'.
Manowar - ‘Fighting the World’ (1987)
Manowar enlisted fantasy artist Ken Kelly to create the 'Fighting the World' sleeve.
Kiss - ‘Destroyer’ (1976)
The 'Destroyer' cover art was also designed by Ken Kelly and features Paul Stanley, Gene Simmons, Ace Frehley and Peter Criss standing atop some rubble with destroyed buildings in the background.
Led Zeppelin – ‘Physical Graffiti’ (1975)
Led Zeppelin's iconic 'Physical Graffiti' depicts two side-by-side tenement buildings located at 96 and 98 St. Mark's Place in New York's East Village. JFK assassin Lee Harvey Oswald, astronaut Neil Armstrong, Elizabeth Taylor as Cleopatra, King Kong, the Virgin Mary, Judy Garland and Led Zeppelin themselves are among the faces peering out of the windows.
Jose Feliciano - ‘Compartments’ (1973)
The concept for Led Zeppelin's 'Physical Grafitti' cover was allegedly inspired by the sleeve on Puerto Rican guitarist Jose Feliciano's 1973 album 'Compartments', which features different faces peering out of windows.
Genesis – ‘Land of Confusion’ (1986)
Just like the hilarious video, Genesis' 'Land of Confusion' single artwork features Spitting Image incarnations of Tony Banks, Phil Collins and Mike Rutherford.
The Beatles - ‘With The Beatles’ (1963)
Genesis' 'Land of Confusion' is a hilarious pastiche of the artwork on The Beatles' second studio album 'With The Beatles.'
The Who – ‘The Who Sings My Generation’ (1966)
The US edition of The Who's debut album 'My Generation' not only featured a different title and track list but also alternative artwork of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon stood in front of the Big Ben clock tower.
The Rockin’ Berries – ‘In Town’ (1964)
Two years before The Who's 'The Who Sings My Generation', Birmingham beat group The Rockin' Berries released their debut album 'In Town', which also featured an image of the band standing in front of the Big Ben clock tower against a blue sky. A minor hit, the album dented the UK album chart at no.15.
Tom Waits ‘The Heart of Saturday Night’ (1974)
Gravelly voiced singer Tom Waits' second album features an illustration of a tired Waits being observed by a blonde haired woman as he exits a neon-lit cocktail lounge late at night.
Frank Sinatra ‘In the Wee Small Hours’ (1955)
Tom Waits' 'The Heart of Saturday Night' is based on 'In the Wee Small Hours' by Frank Sinatra, which depicts the singer on an eerie and deserted street awash in blue-tinged streetlights. Tom Waits listed 'In the Wee Small Hours' as his favourite album of all time in a 2005 interview with The Guardian.
The Mothers of Invention - ‘We're Only In It for the Money’ (1968)
Frank Zappa's art director Cal Schenkel and Jerry Schatzberg photographed a collage for the 'We're Only In It for the Money' album cover that directly parodied The Beatles' 'Sgt. Pepper's Lonely Hearts Club Band', which was released a year earlier. Zappa's good mate Jimi Hendrix appears on the sleeve on the right hand side where the wax sculpture of Sonny Liston appears on The Beatles' sleeve. Much to Zappa's dismay, Capitol Records issued the album with an alternate photograph and the Beatles parody was demoted to the inside cover.
The Beatles – ‘Sgt. Pepper's Lonely Hearts Club Band’ (1967)
Here's the iconic sleeve to The Beatles' 'Sgt. Pepper's Lonely Hearts Club Band' designed by pop artists Peter Blake and Jann Haworth.
Lordi - ‘Beast Loose In Paradise’ (2008)
The monstrous Finnish metallers, who won the Eurovision Song Contest in 2006 with their song 'Hard Rock Hallelujah', released a single called 'Beast Loose In Paraside' in 2008 for the soundtrack to their film 'Dark Floors'. The artwork features a very blue photograph of Lordi.
Kiss - ‘Creatures of the Night’ (1982)
Lordi's 'Beast Loose In Paradise' single cover pays tribute to the sleeve to Kiss' 10th studio album 'Creatures of the Night'.
12. Uriah Heep – ‘Live at Shepperton '74’ (1986)
Released 12 years after it was recorded at Shepperton Studios in Surrey, 'Live at Shepperton '74' features a bootleg LP style brown paper sleeve with a stamp of the Uriah Heep band name and album title.
The Who - ‘Live at Leeds’ (1970)
Uriah Heep's 'Live at Shepperton '74' is clearly highly reminiscent of The Who's seminal 1970 live album 'Live at Leeds'. It could be argued that 'Live at Leeds' is in fact a homage to The Rolling Stones' bootleg LP 'Live'r Than You'll Ever Be' from 1969.
David Bowie ‘The Next Day’ (2013)
The cover to David Bowie's 24th studio album 'The Next Day' is a tweaked version of Bowie's 1977 album "Heroes" and features a white square obscuring the music legend's face. It was designed by Jonathan Barnbrook, who also created the 'Heathen' and 'Black Star' sleeves, and is meant to signify wiping out the past.
David Bowie – “Heroes” (1977)
Here's the "Heroes" cover from 1977 featuring an iconic image of David Bowie taken by photographer Masayoshi Sukita. The pose was inspired by German artist Erich Heckel's 1917 painting Roquairol.
Slade – ‘Till Deaf Do Us Part’ (1981)
Slade's tenth studio album featured a lovely image of a nail being hammered into an ear canal. Delightful stuff.
Manfred Mann's Earth Band – ‘The Roaring Silence’ (1976)
Slade's 'Till Deaf Do Us Part' is highly reminiscent of Manfred Mann's Earth Band's 'The Roaring Silence' from 15 years earlier, which features a huge outer ear with a mouth inside it. It was created by artist Derek Goldsmith.
Thee Oh Sees / Paul Cary – ‘Thee Oh Sees / Paul Cary’ (2010)
San Francisco alternative rock band Thee Oh Sees released a self-titled split 7" single with musician Paul Cary in 2010.
Rush – ‘Rush’ (1974)
Thee Oh Sees' single is of course a carbon copy of Rush's eponymous debut album from 1974.
David Byrne – ‘Grown Backwards’ (2004)
The Talking Heads frontman's sixth solo album features a photograph of Byrne gazing into the yonder.
Phil Collins – ‘… But Seriously’ (1989)
Genesis drummer/vocalist Phil Collins also gazed pensively into the yonder on his fourth solo album.