Green Day's 'Ha Ha You're Dead' among controversial songs requested at UK funerals
Not your traditional funeral song...
Last updated 18th Oct 2022
Green Day’s ‘Ha Ha You’re Dead' is among a list of controversial songs requested to be played at funerals in the UK this year.
Now in its 20th consecutive year, earlier today (20th October) Co-op Funeralcare released its annual music chart of the most popular funeral songs, with Gerry and the Pacemakers’ ‘You’ll Never Walk Alone’ at Number 1 ahead of Frank Sinatra’s ‘My Way.’
Also featuring the likes of Fleetwood Mac’s ‘The Chain’, Eric Idle’s ‘Always Look on the Bright Side of Life’ and Tina Turner’s ‘Simply The Best’, the Top 10 is based on data and insights from Co-op Funeralcare’s own funeral directors and arrangers, who conduct around 100,000 funerals a year.
Alongside the most played tracks, Co-op Funeralcare has also revealed a list of controversial songs picked by deceased people in the past 12 months.
Green Day’s 2002 song ‘Ha Ha You’re Dead’ with its refrain_ of “Ha ha you're dead / And I'm so happy / In loving memory / Of your demise”_ was one the somewhat surprising songs picked.
Featuring cutting lyrics by Mike Dirnt, the track first appeared Green Day’s 2002 compilation album ‘Shenanigans’, which compiled B-side and rarities.
According to Co-op Funeralcare, other jaw-dropping song requests they received include ‘Girl on Fire’ by Alicia Keys, ‘F--- Forever’ by Babyshambles, and ‘Ding Dong! The Witch is Dead’ from The Wizard of Oz.
Co-op Funeralcare notes that potentially offensive songs are often refused by a third-party, such as the chosen venue or person ordaining the funeral.
Sam Tyrer, managing director of Co-op Funeralcare, said: “Music plays such a big part in all of our lives, it’s no surprise that our favourite songs play a role in the way we say goodbye too.
“The songs we choose for a funeral all hold unique and personal meaning for ourselves and loved ones but naturally some songs remain more popular than others and we’re delighted to unveil this year’s music chart.
“Each element of a funeral is a very personal choice and we’re encouraging the nation to be more open about their funeral wishes – music is a really simple and comforting place to start.”
Green Day's Hella Mega Tour with Fall Out Boy and Weezer is due to hit the UK in June 2022.
The Top 10 funeral songs for 2021:
1) You’ll Never Walk Alone – Gerry and the Pacemakers
2) My Way – Frank Sinatra
3) Always Look on The Bright Side Of Life – Eric Idle
4) Simply The Best – Tina Turner
5) Supermarket Flowers – Ed Sheeran
6) Time to Say Goodbye – Andrea Bocelli and Sarah Brightman
7) The Chain – Fleetwood Mac
8) Somewhere Over the Rainbow – Eva Cassidy
9) We’ll Meet Again – Vera Lynn
This is Me – The Greatest Showman
A guide to Green Day's albums:
Green Day - '39/Smooth' (1990)
Green Day's debut album '39/Smooth' was released on 13th April 1990 via Lookout Records. The only album to feature original drummer John Kiffmeyer, the album sold 3,000 copies in its first year, however, with the success of 'Dookie' in 1994 sales quickly skyrocketed to 55,000. No official singles were released from the album and the ominous artwork was created by Jesse Michaels of short-lived Berkeley ska punks Operation Ivy.
Green Day - 'Kerplunk' (1991)
Unleashed on 17th December 1991 via Lookout Records, testament to Green Day's growing word-of-mouth popularity the album sold 10,000 units on its first day. Featuring an early version of 'Welcome To Paradise', 'Kerplunk' has continued to grow in popularity over the decades and has sold more than 4,000,000 copies worldwide making it one of the best-selling independently released albums of all time. The cartoon artwork of a young woman with a gun and a boy with a gunshot wound on the back was banned by some. 'Kerplunk' is the first record to boast Tré Cool on drums.
Green Day - 'Dookie' (1994)
Green Day's first major label release on Reprise Records helped propel them into the mainstream psyche and has sold more than 20 million units globally, including 10 million in the band's native US. Spawning the colossal singles 'Longview', 'Basket Case', 'Welcome to Paradise', 'When I Come Around' and 'She', the Rob Cavallo opus was also met with blanket critical acclaim and is now regarded as one of the finest punk albums of all time. Just like 'Kerplunk', the seminal artwork created by East Bay punk Richie Bucher was critiqued by some for featuring bombs being dropped on buildings.
Green Day - 'Insomniac' (1995)
Exploring much darker thematic realms and embracing heavier sounds, 'Insomniac' was warmly received by critics but failed to reach the commercial heights of 'Dookie'. Four songs were released from the record - 'Geek Stink Breath', 'Brain Stew / Jaded', 'Stuck with Me', and 'Walking Contradiction' – and, to date, it has sold more than 2 million copies in the US and 300,000 in the UK. The striking artwork is a piece called God Told Me to Skin You Alive (a reference to the Dead Kennedys song 'I Kill Children') by collage artist Winston Smith.
Green Day - 'Nimrod' (1997)
Released on 14th October 1997, 'Nimrod' was easily Green Day's most eclectic record to date featuring elements of folk, surf rock and ska alongside Green Day's trademark punk sound. Poignant acoustic song 'Good Riddance (Time of Your Life)' has become one of Green Day's defining songs from their three-decade career. 'Hitchin' A Ride', 'Redundant' and 'Nice Guys Finish Last' were also released as singles. 'Nimrod' has sold 2.1 million copies Stateside and has achieved Platinum status here.
In October 2022, the trio began teasing the 25th anniversary of the record, before releasing unheard song 'You Irritate Me' to mark the special occasion. They're also re-releasing the album with 14 previously unreleased demos and a 20-track live album 'Live at the Electric Factory'.
Green Day - 'Warning' (2000)
Green Day's first album since 'Kerplunk' not to be produced by Rob Cavallo (who instead served as executive producer), 'Warning' took its lead from its predecessor 'Nimrod' and fused folk and acoustic elements with Green Day's trademark pop-punk sound. Featuring the solid singles 'Minority', 'Warning' and 'Waiting', Billie Joe, Mike and Tré's first album of the new millennium was met by a reasonably positive response from music critics yet it was a relative flop commercially; it was their first album on a major imprint Stateside not to hit Platinum status. However, this could be due to the fact it was leaked on (the now defunct) Napster weeks ahead of its release.
Green Day - 'American Idiot' (2004)
Not just one of Green Day's landmark career moments but arguably one of the greatest rock albums of the noughties, the punk rock opera is an ambitious concept album following the exploits of Jesus of Suburbia, a lower-middle-class American adolescent anti-hero. Reflecting the turbulent post-9/11 times, the album explores themes of disillusionment and dissent and nowhere is this more evident than on the rip-roaring and thematically weighty lead single and album title track 'American Idiot'. Rightfully lavished with praise by critics and scooping multiple awards (including the coveted Grammy Award for Best Rock Album), the album has to date sold more than 16 million units globally.
Green Day - '21st Century Breakdown' (2009)
Joining forces with Nirvana 'Nevermind' producer Butch Vig, just like 'American Idiot' Green Day's eighth studio album '21st Century Breakdown' was a rock opera that Billie Joe Armstrong describes as being a "snapshot of the era in which we live as we question and try to make sense of the selfish manipulation going on around us, whether it be the government, religion, media or frankly any form of authority". The band won their second Best Rock Album gong at The Grammys for the record and it boasted the singles 'Know Your Enemy', '21 Guns', 'East Jesus Nowhere', '21st Century Breakdown' and 'Last of the American 'Girls'. The artwork has drawn parallels to Banksy stencil that adorned Blur's 'Think Tank' six years earlier.
Green Day - '¡Uno!' (2012)
The first of a trio of albums unleashed in a three-month period, '¡Uno!' was the inaugural release to feature guitar from Green Day's fourth member Jason White before his departure in 2016. Recorded from February to June 2012 at Jingletown Studios in Oakland, California and released in September of that year, the album was preceded by the singles 'Oh Love', 'Kill The DJ' and 'Let Yourself Go'. Explaining why they released three albums, Billie Joe Armstrong enthused: "We are at the most prolific and creative time in our lives... This is the best music we've ever written, and the songs just keep coming. Instead of making one album, we are making a three-album trilogy. Every song has the power and energy that represents Green Day on all emotional levels." The album was emblazoned with Billie Joe Armstrong's face with neon pink crosses over his eyes.
Green Day - '¡Dos!' (2012)
Released two months after '¡Uno!' in November 2012, '¡Dos!' explored a more garage rock sound (more akin to their side project Foxboro Hot Tubs) in contrast to its power punk pop predecessor. Featuring the solitary single 'Stray Heart', the 13-track received generally warm reviews but failed to match the commercial success of '¡Uno!' entering the UK chart at Number 10 and becoming the first release since 'Dookie' not to sell 100,000 copies in its first week in America. Mike Dirnt graced the cover.
Green Day - '¡Tré!' (2012)
Released to the world in December 2012, in keeping with the divergent sounds of '¡Uno!' and '¡Dos!', '¡Tré!' explored different musical realms. Embracing epic stadium rock and featuring occasional orchestral flourishes, Billie Joe Armstrong claims '¡Tré!' is the most ambitious album of the trilogy. The least commercially successful album of the three, '¡Tré!' dented the charts at a lowly 31 in the UK. Featuring the titular drummer Tré Cool on the cover, it's Green Day's last album as a quartet before Jason White returned to his touring member role four years later.
Green Day - 'Revolution Radio' (2016)
Produced by Green Day themselves and recorded in Oakland, 'Revolution Radio' is a blitz of angst-ridden anthems with lyrical themes that address the complexities and uncertainties of modern-day existence. Billie Joe Armstrong said at the time of its release: "Of course the world has lost its collective mind... and me, Mike and Tré are lost souls too. Revolution Radio is a movement for lost souls to come together... dance together... sing together... and most of all, find each other. That's what the spirit of Green Day has been about since day one." The eye-catching artwork features a burning 80s boombox stereo. Green Day's most successful album in seven years, 'Revolution Radio' peaked at Number 1 in the UK.
Green Day - 'Father Of All...' (2020)
Green Day released their 13th studio album 'Father of All...' in February 2020. Produced by the band's long-time collaborator Chris Dugan, the album featured singles 'Father of All...' and 'Oh Yeah!', hitting the top spot in the UK album charts. Billie Joe described it as, "The New! soul, Motown, glam and manic anthemic. Punks, freaks and punishers!" adding that the lyrics are all about "the life AND death of the party" as well as the "lifestyle of not giving a f---."
Green Day - 'Saviors' (2024)
Released on Friday 19th January 2024 via Reprise/Warner Records, 'Saviors' was co-produced by Rob Cavallo who also worked on Green Day's blockbuster 'Dookie' and 'American Idiot' albums. Alongside Green Day's name and the album title in punk pink, the striking 'Saviors' artwork centres on a black-and-white photo of a smiling young boy holding a stone during a riot. The original photo of the youth was taken by acclaimed English photographer Chris Steele-Perkins during a riot at the top of Leeson Street, Belfast in 1978. For Green Day's sleeve, the boy's face has been photoshopped slightly so he is looking up and has wider eyes.
Green Day said of their new record: 'Saviors is an invitation into Green Day's brain, their collective spirit as a band, and an understanding of friendship, culture and legacy of the last 30 plus years. It's raw and emotional. Funny and disturbing. It's a laugh at the pain, weep in the happiness kind of record. Honesty and vulnerability. What is Saviors about, you ask? Power pop, punk, rock, indie triumph. disease, war, inequality, influencers, yoga retreats, alt right, dating apps, masks, MENTAL HEALTH, climate change, oligarchs, social media division, free weed, fentanyl, fragility,,.."